Recovery found Em teaming up with the talented Just Blaze, who does his best Dr. The track kicks things off with an odd melody which immediately sets you on edge, and for good reason. So if it's been a minute, give this one a spin for old time's sake.įrom the mad minds of Slim Shady and Just Blaze comes “Cold Wind Blows,” the opening track off Recovery. Dre have all-but-ceased making music on a consistent basis, and Snoop hasn't collaborated with Eminem in over a decade. Perhaps the biggest tragedy is that we'll never have another "Bitch Please 2." Nate Dogg has passed away, Xzibit and Dr. "I just want you all to notice me and people to see, that somewhere deep down there's a decent human bein' in me, it just can't be found so the reason you've been seein' this me, is ‘cause this is me now, the recent dude who's bein' this mean," raps Eminem, displaying the technical prowess and social awareness that skyrocketed him into the Goat conversation. During the time when The Marshall Mathers LP dropped, it wasn't uncommon to see Eminem sharing the mic with established rappers, and "Bitch Please 2" was the pinnacle of The Aftermath empire, picking up where Dre left off on 2001. Everything about "Bitch Please 2" is classic, from Nate Dogg's phenomenal chorus, to the haunting beat, to Eminem's razor sharp final word. Dre, Snoop Dogg, Nate Dogg, and Xzibit in a single sentence, I was struck with an overwhelming bittersweet sadness.
It’s crazy to think that this is the same rapper who gave us “Kim,” or even the aforementioned mad brilliance that is “Fack.” Still, the sheer level of skill displayed in “Infinite” would have no doubt turned the heads of even the most ardent purist.Ģ3. After recently being re-released in a new, remastered state, Em’s classic banger is a smooth showcase of a young, hungry rapper sitting comfortably in his element. “Infinite” originally dropped in 1996, when Eminem was busy selling home-pressed copies from the back of his trunk. It's a rare foray into “boom-bap-adjacent” territory for the emcee, despite having been his preferred style during his formative years.
BEST EMINEM SONGS OF ALL TIME FULL
Em’s multi-syllabic prowess is on full display as he weaves over old-school production. A far cry from the content that later made him famous, Infinite and its title track served to make one thing clear - the whiteboy could spit bars.
The self awareness Em displays is all but unprecedented in hip-hop, and his honesty often makes for some of his most compelling material.īefore Eminem and Denaun Porter were linking up to make up one third of D12, the Detroit duo were teaming up to craft Eminem’s debut album, Infinite. While his sheer lyrical proficiency may be his flashiest attribute, what really elevates Eminem is his ability to be at once offensive and insightful, to pen haunting narratives that resonate with listeners for days afterward, and most importantly, to paint himself as a fully developed character in the theater of his own life. However, there's no denying that insofar as songwriters go, Em has solidified himself as one of our generation’s most talented songwriters, spanning across any musical genre. And while Em's position as a hip-hop legend is unquestionable, there remain some who seek to detract for his legacy, citing questionable content or an inconsistent discography as problematic. When conversations of the GOAT come up, as they so often do in hip-hop discourse, it’s only a matter of time before somebody brings Eminem into the fold. And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.An extensive look at Eminem's twenty-five best songs of all time. It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. II.” That slow drum beat and those sirens seemingly ripped out of a horror film.
There’s something immediately terrifying about “Shook Ones, Pt.
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